Having collected over the years many of the glorious catalogues published by the Museum of Modern Art going back to the 1940s—on a dizzying array of topics such as Futurism, Britain at War, 20 Centuries of Mexican Art, Americans 1942, Bauhaus 1919-1928, New Japanese Photography, Built in USA: Post-war Architecture, and any number of artist monographs—I recently came across one published in 1958 that I had never seen before. It was a slim, paperbound volume in black-and-white of no stylistic distinction save for the magnificent Brancusi sculpture Blond Negress on the cover. This intriguing booklet was entitled Two exhibitions: The Philip L. Goodwin Collection and Works of Art: Given or Promised.